![]() Kate Upton: Verlander's wife sounds off on Twitter about interference call controversy Legend of Madison Bumgarner grows (2014) 'Beautiful chaos': Nationals come out ahead in bizarre – and hugely consequential – inning The back-and-forth affair appeared to shift the Indians' way with Rajai Davis' game-tying homer in the eighth off fire-balling closer Aroldis Chapman, but the Cubs took the lead in the 10th and ended their 108-year championship drought three outs later. This historic game began with the rarities right away, as Dexter Fowler cranked the first leadoff homer ever in Game 7 of the World Series on Cleveland Indians starter Corey Kluber's fourth pitch. ![]() Houston's first Game 7 victory provided little drama, as they jumped out to an early lead and held off the Dodgers in LA, although Game 7 of the World Series is conducive to heroics that etch moments and names into memories and history books.īelow are just some of the most memorable games and moments in World Series Game 7 history. ![]() They were victorious in the decisive game over the Los Angeles Dodgers in 2017 and will look to repeat that fortune against the Washington Nationals on Wednesday. 6–8.For the second time in three seasons, the Houston Astros' World Series hopes boil down to a Game 7. “Songs of Ned Rorem.” Songs of Ned Rorem, performed by Susan Graham (mezzo-soprano), Malcolm Martineau (piano), and Ensemble Oriol (strings), Erato, 2000, CD 8573-80222-2, pp. Edited by Justin Kaplan, Vintage Books / Library of America, 1992. Ammons.” Poetry and Poetics after Wallace Stevens, edited by Bart Eeckhout and Lisa Goldfarb, Bloomsbury Academic, 2017, pp. ![]() “Lateness and the Question of Late Style in Stevens and A. Edited by Frank Kermode and Joan Richardson, Library of America, 1997. Wallace Stevens: Collected Poetry and Prose. The Palm at the End of the Mind: Selected Poems and a Play. Edited by Holly Stevens, U of California P, 1996. Wallace Stevens: An Annotated Secondary Bibliography. The Rest Is Noise: Listening to the Twentieth Century. “The Gentleman Composer.” The New Yorker, 20 Oct. Settling the Score: Essays on Music, Open Road Media, 1988, eBook, Kindle. “Orchestral Music of Ned Rorem.” Program notes to Ned Rorem, String Symphony Sunday Morning Eagles, performed by the Atlanta Symphony Orchestra, conducted by Robert Shaw and Louis Lane, New World Records CD NW 353-2, 1988, pp. Last Poems of Wallace Stevens for Voice, Cello and Piano. “ Last Poems of Wallace Stevens: An Album Note.” 1983. “Metamorphoses: Elliott Carter’s Musical Settings of Stevens’s Poetry.” The Wallace Stevens Journal, vol. Songs and Silences to Poems by Wallace Stevens for Baritone and Piano. “The Internet at the Clavier: All the Music Inspired by Harmonium.” The Wallace Stevens Journal, vol. “The Modalities of Media II: An Expanded Model for Understanding Intermedial Relations.” Beyond Media Borders, Volume 1: Intermedial Relations among Multimodal Media, edited by Lars Elleström, Palgrave Macmillan, 2021, pp. “Windblown Ceremonies in Search of Vocalissimus: An Interview with Matt Barber on His Composition To the Roaring Wind.” The Wallace Stevens Journal, vol. “Teaching Stevens’s Poetry through Rhetorical Structure.” Teaching Wallace Stevens: Practical Essays, edited by John N. “Dialogizing Adaptation Studies: From One Way Transport to a Dialogic Process.” Adaptation Studies: New Challenges, New Directions, edited by Jørgen Bruhn, Anne Gjelsvik, and Eirik Frisvold Hanssen, Bloomsbury, 2013, pp. Parts of a World: Wallace Stevens Remembered An Oral Biography. “About Ned.” The Ned Rorem Website, accessed 6 Mar. We then analyze such issues as Rorem’s selection of poems and their idiosyncratic sequencing his choice of genre and instrumentation the question of a late style the musical enhancing of particular images, sounds, and ideas from the selected texts and the question how Rorem’s music might allow us to hear, experience, and understand Stevens’s poetry in new ways. After an introduction in which we draw insights from two further composers who set Stevens to music (Elliott Carter and Matthew Barber), the case study opens with a substantial portrait of Rorem as a composer, in particular, his love of the art song as a genre and the Francophilia of his style (conspicuously shared by Stevens), for which we build on the work of musicologists as well as on Rorem’s own writings. Composed between December 1971 and February 1972, Rorem’s song cycle for voice, cello, and piano Last Poems of Wallace Stevens sets seven of the poet’s lyrics from the period 1953–1955 to music. The final chapter, principally authored by Eeckhout, explores how one major American composer from the second half of the twentieth century, Ned Rorem, has responded to Stevens’s work.
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